Lighting Programming
Experienced with ETC Eos family (APEX, GIO, TI, Ion XE), MA2, and beyond. Comfortable in fast-paced, high-pressure environments.
Credits
| Production | Designer | Venue | Console | Year |
|---|---|---|---|---|
| O Wondrous Night | David Lander | SeaWorld Orlando (Nautilus Theatre) | ETC Eos APEX 5 | 2025 |
| 44 the Musical* | Nathan Scheuer & Natali Arco | Daryl Roth Theatre, NYC | ETC Eos GIO | 2025 |
| Come From Away | Travis McHale | Northern Stage, VT | ETC Ion XE | 2025 |
| Mexodus* | Mextly Couzin | Minetta Lane Theatre, NYC | ETC Eos TI | 2025 |
| Ailey II Fall Tour Tech | Aja M. Jackson & Brandon Stirling Baker | SUNY Purchase | ETC Eos APEX 5 | 2025 |
| Urinetown | Caroline Nowak | Nebraska Repertory Theatre | ETC Eos APEX 10 | 2025 |
| Shin Lim: LIMITLESS | Michelle Harvey | The Mirage, Las Vegas | MA3 (MA2 mode) | 2023 |
| Stopkiss | Kennedy N. Wilcher | Nebraska Repertory Theatre | ETC Eos GIO | 2023 |
| Shin Lim: LIMITLESS | Michelle Harvey | The Mirage, Las Vegas | MA3 (MA2 mode) | 2022 |
| Ain't Misbehavin' | Tom Ontiveros | Barrington Stage Company | ETC Eos Ion XE | 2022 |
| Dontrell, Who Kissed the Sea | Aja M. Jackson | Nebraska Repertory Theatre | ETC Eos Classic | 2021 |
| A Midsummer Night's Dream | Abbey Lynn Smith | Nebraska Repertory Theatre | MA2 | 2021 |
| Evenings of Dance | Michelle Harvey | Lied Center, Lincoln NE | ETC Eos Ion Classic | 2021 |
| Clarence Darrow | Tom Giomario | Rubicon Theatre Company | ETC Eos Ion XE | 2019 |
| Othello | Leigh Allen | Kingsmen Shakespeare Company | ETC Eos Ion Classic | 2018 |
| The Two Noble Kinsmen | Leigh Allen | Kingsmen Shakespeare Company | ETC Eos Ion Classic | 2018 |
* Substitute programmer
Confidential Work
I work regularly on high-profile private and corporate events — major sporting events, exclusive galas, and private performances. These projects require strict confidentiality; I'm well-practiced at operating with discretion under high-pressure, high-visibility conditions.
Alley Theatre — 2023–2024
As Assistant Lighting Director at the Alley Theatre, mentoring staff electricians in ETC Eos programming was part of my regular duties — training them in console operation as part of their rotating show responsibilities.